Every Song in Elite Season 4

Which songs are featured in the Elite season 4 soundtrack? The popular Netflix show takes place in Madrid, Spain, and explores how the drama at Las Encinas High carries over into the students’ personal lives. Elite season 4 introduces several new characters, and each episode includes pop-electro music that underscores their influence over supporting protagonists.

When the Blanco Commerford family moves from London to Madrid in Elite season 4, they quickly gain the attention of Las Encinas students. As the new principal, Benjamin (Diego Martín) establishes a set of high expectations, while his daughter Mencía (Martina Cariddi) consistently breaks family rules. In addition, the stylish Ari (Carla Díaz) flirts with returning characters Guzmán (Miguel Bernardeau) and Samu (Itzan Escamilla), and her twin brother Patrick (Manu Ríos) sets his eyes on Ander (Arón Piper) and Omar (Omar Ayuso).

The Elite season 4 soundtrack is a driving force in the June 2021 Netflix release schedule. While many songs punctuate dramatic sequences, including various intimate encounters, most of the tracks function as tone-setters, whether it’s up-beat club bangers or moody slow jams. Elite season 4 includes approximately five to 10 featured songs in each episode, with the lyrical content shifting back and forth from Spanish to English.

Elite Season 4, Episode 1: “The New Order”

“Nada” by Sila Lua: Rebe makes eye contact with Samu at school, and then meets Mencía for the first time.

“The Top” by Eva McBel: Benjamin tells Ari to focus less on her classmates and more on trying to connect with her sister Mencía. The lyrics correlate with the concept of learning from the past.

“Bad Attitude” by Clergy with Beginners: In a slow motion shot, the Blanco Commerford arrives at Las Encinas.

“Hacia el Fondo” by Rubio: Rebe anticipates an evening with Mencía in the Netflix show – the song title translates to “Towards the Bottom.”

“Lemon” by Metro: The song briefly plays before an outdoor heart-to-heart between Guzmán and Ari; the lyrics align with the characters being shy.

“Quiero Llorar” by Sila Lua: Mencía texts Armando (Andrés Velencoso) after an argument with Ari; Rebe hits a punching bag. The title translates to “I Want to Cry,” which captures Mencía’s mindset.

“Kuyaki” by Klik & Frik feat. Chancha Via Circuito: Ander and Patrick get intimate while dancing at a club.

“I Walk Alone With Acid” by Pale Blue: Mencía wakes up after a night with Armando. The lyrics imply that she deserves the money she earned.

“Me Miras, Pero No Me Vas” by Mario Jose Llergo: A flash-forward sequence shows Ari floating in a body of water and then being treated by paramedics.

Elite Season 4, Episode 2: “Five Seconds”

“We the People” by Inüit: The episode begins with Patrick informing his father about rumors involving Phillipe Florian Von Triesenberg (Pol Granch).

“Drink” by La Chica: The song plays in the background of the Netflix show as Guzmán’s friends try to calm him down after a delayed video chat with Nadia (Mina El Hammani). “Drink” underscores the collective group mentality.

“For My Love” by Saint Saviour: A somber Mencía listens to the song, which is turned off by her concerned sister Ari.

“Kitten Heel” by Isabella Lovestory: At Speakeasy, Rebe’s mother confronts Mencía about her friendship with Armando. The essence of the song pinpoints the big personalities of both characters.

“Bo$$day” by Don Elektron, Sam Bruno & Afsheen: Caye (Georgina Amorós) puts on lipstick and intends to impress the new student Phillipe.

“I Just Wanna Be Your Prisoner” by Skinny Pelembe feat. Hejira: The Elite song plays lightly in the background as Patrick enjoys a drink with Ander and Omar, both of whom feel slightly trapped in their relationship.

“Pa Atra” by Most x Yaniduv feat. Nipo: Ari arrives at a towel party and gazes at Samu.

“Be Together” by BCBC: Mencía and Rebe kiss at the towel party after discussing the latter’s fears.

“10:00pm Fire Irae” by Sacre: Caye dances with Phillipe and expresses her admiration for him.

“Quiero Que Tú Quieras” by Mula: Ari and Samu hook up at the towel party as Guzmán watches.

Elite Season 4, Episode 3: “When Lies Dance With Temptations”

“Sabali” by Amadou & Mariam: The episode begins with Ari flatlining during a flash-forward sequence.

“Ah Bah D’Accord” by Juniore: Caye tries on clothing with Phillipe.

“Cynically Sweet” by Galaxy Fingers: Rebe asks Mencía to describe herself in three words, with the song title underlining the beauty of young love.

“Tell Your L.I.B.I.D.O.” by Erotic Market: The soundtrack song plays as Ander pleasures himself in the shower before hooking up with Patrick and Omar.

“Guantanamera” by Guitarricadelafuente: Guzmán and Nadia discuss their crumbling relationship during a video chat.

“Más Arriba” by Najwa: Ander recalls an intimate encounter with Patrick, at Omar’s request.

“Like You Know You’re Alive” by BCBC feat. Harvey: Mencía arrives at Rebe’s home and blackmails her mother, a drug dealer with ties to Armando. As the title implies, Mencía feels rejuvenated.

“Knife” by Soledad Vélez: Samu prepares for a Royal ball at work.

“Take My Time” by Skinshape: Ander greets Guzmán at the ball; the song reflects the patience of both characters.

“This Ain’t No Hymn” by Saint Saviour: Ari arrives at the ball, poses for photographs, and greets Guzmán.

“Louder” by Katéa: Caye nervously dances with Phillipe after learning that he recorded their sexual encounter; the song choice implies that they are living in a loud (i.e. public) relationship.

“Podría Ser Peor (Remix)” by La Casa Azul: Patrick kisses Ari and walks away; Mencía and Rebe discuss moving in together as the Netflix song plays.

“Flecha” by Soledad Vélez: Omar reads Patrick’s texts to Ander.

“Pull Me Under (Deadly Avenger x Si Begg Remix)” by Bassline Drift: Guzmán kisses Ari at the beginning of a montage sequence.

Elite Season 4, Episode 4: “I’m A…”

“Wonder Woman” by Lion Babe: Mencía dances in front of a mirror during an opening sequence, with the lyrics pinpointing her confidence.

“Never the Same” by Amelie Lens: Ander and Omar spot Patrick at a club.

“Asking for Space” by Galaxy Fingers: Samu apologizes to Rebe for past mistakes as the song about patience plays in the background.

“Energize” by Amelie Lens: Ander and Patrick dance shirtless while Omar attempts to leave.

“Slip” by Elliot Moss: Omar assists a drunken Patrick at home; the song tells a story about someone slipping away from another’s hold.

“Witch Hunt” by HXXS: Omar, Patrick, and Ander arrive at school during a slow motion shot in the Netflix show.

“Binary Lovers” by Ambre: Caye arrives at Club Del Lago and gets served by Phillipe.

“Alright” by Alpine: Phillipe continues to serve Caye and speaks French.

“L’Amour Et La Violence” by Sébastian Tellier: Mencía has a tender moment with Rebe and returns home to her family, a place that conjures up feelings of love and violence, as implied by the song title.

Elite Season 4, Episode 5: “Reintegration”

“Outer Love” by Tonina: Mencía and Rebe cuddle on an outdoor mattress; a fitting song title.

“Needed” by Rhye: Mencía and Rebe spread chocolate on each other during an intimate encounter. The characters do indeed need each other during this moment.

“Paradise Lost” by Metro: The song plays during a dinner scene at the Blanco Commerford home, and implies that all is not right amongst the family members.

“Burn (Matador Remix)” by Daniel Stewart Pierce: Omar looks for Ander at school while Mencía searches for Rebe.

Elite Season 4, Episode 6: “I Love You All Wrong”

“Hierba Mala” by Reyko: Ari tracks down Samu in the school shower. The soundtrack song plays later on when Ari seeks out Samu after a concert.

“Buen Viaje” by Anni B Sweet: Omar speaks with Ander at Club Del Lago; Phillipe texts Patrick.

“The Way That I Feel (Graham C Walsh Remix)” by GGOOLLDD: Mencía and Rebe argue in front of Armando.

“Save Me from Myself” by Max Rad: Armando offers Rebe a place to stay; the titles captures her mood.

“Come As You Care” by Mow: Samu serves the Blanco Commerford family.

“En Llamas” by Pol Granch & Natalia Lacunza: Ari kisses Guzmán at a restaurant in front of Samu. The song is performed by the cast member Granch, who plays Phillipe.

“Fuck They” by Sofi Tukker: Phillipe and his entourage enjoy themselves at a club; the title aligns with their cool confidence and borderline arrogance.

“Concrete Heap” by Blackmail: Armando interrupts a moment between Mencía and Rebe as the soundtrack song plays.

“Fantasmas” by Ambar Lucid: The singer delivers a live performance as various characters reflect.

“Shades of Blue” by Ambar Lucid: Armando leaves during a live performance after arguing with Mencía.

“Violent Games” by Poliça: Patrick searches for Ander as the lyrics reference one’s personal needs.

Elite Season 4, Episode 7: “Before I Go (Part I)”

“You Sexy Thing” by Zella Day: Ari has sex with Guzmán as the episode begins.

“Oblivion” by Alaska Reid: Omar thanks Ander for his indifference when discussing a romance with Patrick; the lyrics correlate with their intense bond.

“Devuélvemelo” by Babi: Mencía cries while feeling pressure to meet with Armando instead of Rebe.

“Give It” by Betta Lemme: Rebe is surprised to find Mencía in an elevator with Armando; the lyrics tease an impending sexual encounter.

“New Moon” by Ayia: Armando urges Mencía to come with him as Rebe watches.

“Dangerous Anamal” by Baio: Caye enjoys champagne with Phillipe, who has a reputation for being a sexual predator.

“Aching Bones” by Sleep Thieves: Philippe and Caye kiss, however their encounter turns aggressive.

Elite Season 4, Episode 8: “Before I Go (Part II)”

“Dr. Mike Alon” by Mow: Guzmán confronts Samu about his relationship with Ari; the lyrics thematically underline his skepticism.

“Red” by Flikka feat. Gotts Street Park: Omar speaks with Acuzena while Ander showers.

“Lost Horse” by Asaf Avidan: Fireworks whistle during a dock shot on New Year’s Eve; the lyrics tease an impending disaster.

“Indian River” by Alex the Flipper: Mencía drinks on New Year’s Eve and texts with Armando.

“All I Need” by Slow Magic: Omar kisses Ander after urging him to travel.

“Fuel to Fire” by Agnes Obel: Armando assaults Ari during a New Year’s Eve countdown montage; the lyrics connect to the characters’ fiery demeanors.

“Run to You” by Ocie Elliott: An overhead shot shows Ari floating in the water after being assaulted.

“Desde Las Alturas” by Guitarricadelafuente: Guzmán says goodbye to Ari as the soundtrack song plays.

“Bagdad – Cap. 7: Liturgia” by Rosalía: Benjamin gets angry during a conversation with Mencía as the lyrics suggest the family members are living in a domestic version of hell.

About The Author

Q.V. Hough
(1892 Articles Published)

Q.V. Hough is a senior writer at Screen Rant. He’s also the founding editor at Vague Visages, and has contributed to RogerEbert.com and Fandor.

More From Q.V. Hough