John And The Hole Review: Unnerving, Creepy and Slow

What happens when one becomes an adult — or more accurately, what change demarcates childhood from adulthood? This is the central question in the 2021 psychological thriller John and the Hole. However, the film is not interested in, or perhaps is not capable of, offering a satisfying answer. John and the Hole is a quietly disturbing experience that teases apart the audiences’ own expectations and prejudices. The film is intellectually challenging, and fans of arthouse films will find plenty of inspired visuals and nuanced, layered storytelling to keep them engaged. For most viewers, however, John and the Hole is simply a slow-burn thriller with an unconventional coming-of-age story that many will find unrelatable.

Directed by Pascual Sisto and written by Nicolás Giacobone, John and the Hole is a 21st-century fable centered on 13-year-old John (Charlie Shotwell). John is the kind of inquisitive — if slightly off-putting — adolescent who is preoccupied with his own thoughts. After discovering a partially complete bunker in the woods, the young man drugs his mother Anna (Jennifer Ehle), father Brad (Michael C. Hall) and sister Laurie (Taissa Farmiga), then drags their bodies into the cement pit (the titular hole). The family awakes to find themselves trapped.

John’s motivation in John and the Hole is never clear, which drives the film’s suspense. There are hints early on that something isn’t quite right with the young lad, but there’s no inner monologue or conversations with a confidante to explain how John is actually feeling at any given time. The camera does a lot of the work in establishing mood and tone, hinting at John’s state of mind. The family is as bewildered by the predicament as the audience — at first, they aren’t even angry, they just want out. As time goes on, and they find themselves in an increasingly desperate situation, this changes somewhat; still, most of the movie’s focus is on John experiencing true independence for the first time in his life.

Much of John and the Hole plays out like a humorless blend of Home Alone and Risky Business. John’s family is affluent, and the young man has ready access to his parents’ cash. He mainly uses these funds to buy junk food, although he does give money to a friend and buys himself a TV. Other than the incredibly extreme choice to trap his family in a confined space, most of what happens in the film is basically what one would expect from a quiet 13-year-old boy: he invites over a friend he knows from online, he skips school and he makes a mess of the house. The movie’s psychological thrills are the sense of unease because the boy’s behavior is hard to predict. However, this means the movie peaks in the first act when he drugs his parents. There’s not enough momentum to keep the story going, and it begins to unravel part-way through.

John and the Hole has elements that work. Although the movie is Sisto’s first feature-length film, he clearly has a keen visual sense. A number of shots are unorthodox, finding original ways to make the familiar unfamiliar and the everyday mundane seem sinister. The acting in John and the Hole is also strong; Shotwell’s performance carries the movie, which is no small task for an actor fresh out of public school. Hall is a pleasure to watch, as always, and he gets out a few blackly comedic lines. Overall though, the family gets little screen time in John and the Hole — which is unfortunate because their situation (surviving in a hole) is so compelling, while John’s arc drags.

John and the Hole has large aspirations as a film but collapses under its own weight. The themes of growing up and discovering one’s identity are both underdeveloped and painfully hamfisted. There’s a story-within-a-story device that mainly serves to enforce the idea that John’s story is a fable — but practically speaking, these scenes only interrupt the movie’s momentum and generally detract from the story. The exchanges between the mother Gloria (Georgia Lyman) and her daughter Lily (Samantha LeBretton) are strangely paced and stilted. The wooden dialogue and complete lack of context work against these scenes; one gets the sense that there’s a highly symbolic meaning to having this bizarre framing device, but it just fails on several levels.

Ultimately, John and the Hole is an interesting film that encourages contemplation. Those looking to be thrilled or disturbed will likely be disappointed; yet, audiences who appreciate a strong aesthetic, or simply want to see Michael C. Hall covered in mud, will find John and the Hole satisfying.

John and the Hole releases on DVD and Blu-Ray on March 15, 2022. It is 103 minutes long and is rated R for language.

About The Author

Sarah Bea Milner
(333 Articles Published)

Sarah Milner is the Weekend Lead Editor for Screen Rant’s Film/Television features (SR Originals) division. She is a writer, editor, and folk musician. She often watches movies — sometimes she reviews them too.

A graduate of Trent University, Sarah’s MA thesis examines Frankenstein adaptations and their relationship with popular culture. She has a fierce love of all things “spooky,” and a deep appreciation for classic cinema.

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