Within the Pirates of the Caribbean franchise, Jack Sparrow’s (Johnny Depp) signature off-kilter walk earns him the reputation of being constantly inebriated, but Sparrow’s “drunk” swagger has an ingenious secret that doesn’t involve a single drop of rum. While Sparrow often refers to rum throughout the Pirates of the Caribbean franchise as if it’s both his addiction and a secret weapon that allows him to pull off potvaliant stunts and schemes, the unbalanced walk is actually more telling of another great love of his: the sea.

Though it’s hard to imagine Jack Sparrow being any different from the charming and disreputable anti-hero that is the center of the Pirates of the Caribbean franchise, a lot of Sparrow’s eccentricity is owed to Johnny Depp’s interpretation of the character, who was alternatively written as a swashbuckling hero in the original script for Pirates of the Caribbean: The Curse of the Black Pearl. In an interview with Collider, Depp details some of his early insights about Captain Jack, which he concocted while sitting in a sauna. After experiencing extreme heat within the sauna, Depp had the idea that Sparrow’s brain would be “par-boiled” after baking in the sun all day onboard a ship, inspiring Sparrow’s mad yet brilliant persona. Just as being out on the open ocean would affect Sparrow’s mental state, Depp also decided that the days Sparrow spent at sea would affect his body language as well.

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While it’s initially assumed that Sparrow’s off-kilter and quirky walk is the result of excessive drinking, it’s actually the product of his “sea legs” – the capacity to balance and not get seasick when sailing. Since Sparrow spends more of his time being tussled by the waves on board a moving ship, he’s not accustomed to walking on dry land, and is therefore ironically unbalanced when on solid ground. However, Sparrow’s sea legs are exaggerated to an almost preternatural level, since Sparrow walks perfectly straight when on board a moving ship and only acquires his signature “drunk” walk when he’s walking on dry land. Not only is the “drunk” walk completely realistic, since sailors themselves similarly earned a reputation for being drunks due to their sea legs, but Sparrow’s walk acts as an indicator of where he truly belongs: on the high seas.

Jack Sparrow’s sea legs  also reinforce his eccentric and unpredictable personality. Throughout the Pirates of the Caribbean franchise, Jack’s character consistently thrives by being different from the norm. Sparrow’s compass doesn’t point north; he talks nonsense in circles in a way that strangely makes sense. Having Sparrow be unable to walk a straight path on land, and yet be perfectly balanced at sea, is a rather poetic way of highlighting yet another aspect of Sparrow that shows the normal rules of everyday life don’t apply to him. 

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While Sparrow’s time at sea could’ve naturally given him sea legs, there’s also the possibility that the walk itself is a cunning plan devised by Sparrow to manipulate other people’s perspective of him by playing up his reputation as a drunken, half-witted selfish pirate. Sparrow’s escapades are often successful because he is underestimated by his peers. After teaming up with William Turner (Orlando Bloom) in The Curse of the Black Pearl, Sparrow successfully commandeers the fastest ship in the British Royal Navy, The Interceptor, by subverting Commodore Norrington’s (Jack Davenport) expectations of him as the “worst pirate he’s ever seen.” Despite the fact that Sparrow wanted to command The Flying Dutchman himself, Sparrow also defeats Davy Jones (Bill Nighy) and Cutler Beckett (Tom Hollander) in one fell swoop in Pirates of the Caribbean: At World’s End by choosing to help a fatally wounded Will stab Davy Jones’ heart and live on as the next captain of The Flying Dutchman instead of acting in his own best interest.

Since Jack Sparrow already presents himself as scatter-brained and somewhat touched in the head throughout the Pirates of the Caribbean franchise, the “drunk” walk may be an additional clever ploy that minimizes his ability in the eyes of his enemies, therefore giving him the upper hand.

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