Mike Flanagan’s Netflix series Midnight Mass depicts the intersection of horror and faith gone wrong, with the underlying theme discussing the human need for forgiveness. The 2021 horror TV show documents a religious, small isolated community on Crockett Island, whose town sees miracles and inexplicable changes once a young priest, Father Paul, arrives. As Father Paul cements himself within the community, more sinister reasons for “God’s miracles” are apparent, and they pose an imminent danger for all of Midnight Mass’s characters.

As revealed by the director himself, Midnight Mass has long been a passion project for Mike Flanagan. Written by himself and his brother, Flanagan uses Midnight Mass’s characters as vehicles to explore his own relationship with faith and Riley, particularly, as a stand-in for his struggles with sobriety. In typical Flanagan fashion, many of the characters have deep, heartbreaking monologues about their philosophies on religion, community, death, and family, all poignantly revealed under the director’s signature horror genre. Vampires have long been associated with religious symbols and practices, which provided an excellent channel for Flanagan to explore the nuances of religious fanaticism with dire, horrific consequences.

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Mike Flanagan’s original horror projects and terrifying book adaptations are what he’s best known for, such as his nightmare-inducing haunted house and family tales The Haunting of Hill House and Bly Manor. Midnight Mass isn’t as scary as Hill House, but it absolutely recaptures the show’s symbolic spirits and shadows that hang over families and communities as things are left unsaid or grudges continue to be held. Forgiveness and acceptance are themes explored in nearly all of Flanagan’s projects, and they’re most powerful in the resolution of Midnight Mass’s conflicts.

The Struggle Of Forgiveness Drives Midnight Mass’ Characters’ Conflicts

Nearly every single character in Midnight Mass has a clear issue with either needing to be forgiven, needing to forgive someone else, or needing to forgive themselves. Riley moves back to Crockett Island in the first episode with a clear feeling of remorse that hasn’t gone away since his drunk driving accident. The reason Riley continues to struggle is that he can’t forgive himself for killing Tara-Beth in the accident, which is why her ghost is always there. Once Riley is finally able to forgive himself after his breakthrough conversation with Monsignor John Pruitt during their AA meeting, Riley commits a completely selfless act and dies by the sunlight so as to help save his family from his vampirism. Riley moves back also forces Ed and Annie Flynn to confront their struggle to forgive him for how his actions affected their lives. Ed was cold and distant to Riley when he returned, finally being able to treat him like his son again once they have the conversation on the boat when Ed says he forgives Riley. Ed forgiving Riley wasn’t a way to let Riley off the hook for his actions, it was a way for Ed to be able to move on himself.

The most heartbreaking example of forgiveness among Mike Flanagan’s Midnight Mass characters is between Leeza and Joe Collie. After regaining feeling in her legs, Leeza goes to Joe’s house where she tearfully says that she forgives him for the hunting accident that left her paralyzed. Leeza says she hates him and she will always be angry at him for what he took away from her, but that she forgives him. Again, this forgiveness isn’t to make Joe feel better, it’s for Leeza to be able to let go of her anger towards him. This act of forgiveness also leads Joe to finally work on forgiving himself, having punished himself for years by becoming angry and practically drinking himself to death. The night Leeza confronts Joe, he decides to join AA with Riley, working on forgiving himself for what happened and moving forward.

The entire conflict with Monsignor Pruitt bringing Midnight Mass’s vampire monster back to Crockett Island all stems from punishing himself for where he went wrong with Sarah and Mildred Gunning. He felt guilty for not being a proper significant other to Mildred or acting as a father to Sarah, so he brings back the vampire in hopes that he can simply keep them from dying. Right before Sarah is killed, Pruitt finally admits he is her real father and he hopes she can forgive him for not being there like he should have been, which she does. Even Erin gives an emotional monologue about her abusive mother, who she found the grace to forgive after she died. The forgiveness wasn’t for her mother who made no sort of effort to amend her abuses, it was for Erin so that she could move past it for her own sake.

Midnight Mass Depicts The Personal Importance Of Forgiving

Only once Monsignor Pruitt has been forgiven by Sarah and Alex Essoe’s young Mildred does he realize everything they’ve done with the vampire was wrong. He was so blinded by his guilt that he brought this menacing creature that he figured could fix their relationships by giving them eternal life. Really, it wasn’t until they reconciled while realizing it was wrong that John was able to have peace with his actions, even if he still regrets not being there all the years before. It’s a human need to seek forgiveness, and refusing to forgive is clearly shown as a hindrance to the characters’ personal growth. Even if they’re still angry, forgiving is powerful and can help relieve one’s own guilt and grudges. Receiving forgiveness is just as important because people will typically punish themselves far worse without it. At the same time, the meaning of Midnight Mass‘s ending reveals that simply asking for forgiveness isn’t enough. If people really want to move forward because they feel poorly about how their actions affected others, they have to make true and earnest amends.

For the religious and secular alike, forgiveness is powerful, and the struggles on either side wrack one’s brain and hinder personal progression. Bev is really the only significant Midnight Mass character who isn’t truly practicing the act of granting or asking for forgiveness. It’s part of why she’s the only character who can’t accept her impending death in the end and she’s the only one to cower at the sun rises – she never truly made amends for where she went wrong.

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Forgiveness Is Why Many Seek Religion In The First Place

With religion being the main vehicle through which Midnight Mass’s biblically-centered conflict is explored, it’s no surprise that forgiveness is such an overarching theme. For many, forgiveness is a driving force in why people seek religion in the first place. Guilt, remorse, and anger are emotions that are extremely difficult to get rid of on our own, so many believe they can alleviate these feelings if they are forgiven by God. When Sturge realizes there’s no hope and they’ll all die at sunrise, he asks Ooker to forgive him for everything he’s done tonight, even though Ooker wasn’t the direct victim of his actions. He simply wanted a clear conscience as he moved on from the world, hoping someone can still give him peace of mind about his wrongdoings. At the same time, Mike Flanagan’s TV show clearly proves that just asking God to forgive isn’t enough, it has to be done with personal intent and true meaning. For one to truly move on from their guilt or anger over a situation, there has to be some sort of repentance for one’s actions or a true act of releasing blame in one’s heart. Forgiveness is one of the hardest actions for human beings to grapple with, and Midnight Mass flawlessly explores the nuances of each side.

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